Posted on Apr 8th 2019
The term ‘male gaze’ has been a subject of much debate by visual culture theorists, in the 1970’s the term the ‘male gaze’ was extensively used as an ideological basis of patriarchy, socio-political inequality by which male created institutions determined what is natural and normal in society.
This photo image (circa. 1920) is from our ‘Stormont Photographic archive. Howard and Mary Stormont created these pictures in this Studio, as the Rye Art Gallery was originally where they both lived and worked. The artist's model used for these works is unknown. Someone in Rye may possibly know who she is ? We would love to know!
Posted on Mar 26th 2019
Weaving Looms displayed in the Stormont Studio as a part of our Patterns of Inspiration exhibition. A creative collaboration between Rye Art Gallery and Romney Tweed weaving experts demonstrated craft skills in design and making of tweed from the yarn of Romney Sheep.
Posted on Jan 15th 2019
The artist Tony Bennett is pictured here with his ceramic piece called 'Eyes Shut’ (2005). The preview for the RE:COLLECTION exhibition attracted some artists too! Tony’s work had been selected for display from our permanent collections by WEA (Workers Education Association) art study group, from Jerwood Hastings.
This exhibition of works all selected from our Rye Art Gallery Permanent Collection runs until the 24 February in the Stormont Studio, admission is FREE.
Posted on Nov 22nd 2018
Keith has donated one of his paintings to the Gallery Collection. We are especially thrilled to receive this fine example of his work as he has been exhibiting and selling with us, as well as around the UK, for many years. We are always proud to show him.
The artist lives at Dungeness, which is a mysterious and unique land and sea area - the largest shingle bank in Europe. His work is a distillation of the colours and forms of land, sky and sea, approaching abstraction and yet serenely recognisable.
Also see below for a detail.
Posted on Nov 22nd 2018
As "Late Sun" is currently behind glass, it is difficult to see the brushy texture of the paint in the above photo which had to be taken at an angle to avoid reflection.
So here is a detail showing the atmospheric paintwork around the sun as it sinks towards the sea.
Posted on Nov 7th 2018
Here is our Collection Manager, trustee Julian Day, with Dr Barbara Pezzini, ArtUK sculpture co-ordinator for the SE and Selina Levinson, Education Officer for ArtUK.
We assembled 20 qualifying sculptures from the Collection to be photographed for the national ArtUK database and website.
Julian is watching while the photographer sets up in Studio Gallery 6. See entry below.
In the background you can see children's work displayed in the exhibition of this year's Stormont Awards.
Posted on Nov 8th 2018
Here is the compelling ceramic, 'Eyes Shut' by Tony Bennett, being photographed by ArtUK photographer, Jaron James.
We found that our sculptures were being photographed from 4 or 5 different angles so that researchers can study the pieces in the round. This is why the back of the head is being recorded here.
Posted on Nov 8th 2018
Julian with 2 more works.
'Standing Figure' by Joanna Hull is a strong semi-abstract work in wood and metal - the small metal head has 2 faces, looking either way.
Carol Masied's ceramic 'Cactus Form' is in two separate parts fitted together. Her sculptures are preceded by beautiful and exact drawings of natural forms.
Interestingly, both pieces are 98 cms in height.
Posted on Oct 26th 2018
WEA students, Fran Mente and Jan Black, from a class at the Jerwood Gallery recently addressed by trustee Julian Day, visited to see some selected works from the Collection. These will be displayed in a curated exhibition by the group in January 2019.
One of the paintings chosen for a closer look was 'White Rock' by Rye artist Margaret Helen Barnard (1898 - 1992).
It is being displayed here on the ornate easel which belonged to Mary Stormont, founder of the Trust in 1957.
Posted on Oct 3rd 2018
Fred Cuming RA, who lives locally, has generously donated use of the image of his large oil painting 'The Buoy, Rye Harbour' to raise funds through the sale of cards for the new Rye Harbour Discovery Centre.
The Gallery owns this painting which is in our Permanent Collection.
It is currently on show in Studio Gallery 6 - selected for the 'Artists' Choice' exhibition curated by wild-life artist Robert Greenhalf SWLA RBA and award winning landscape photographer Peter Greenhalf ARPS AOP.
Posted on Sep 13th 2018
A meeting has been arranged with James Trollope, the writer, journalist, broadcaster and art collector.
Two of his recent illustrated books on the work of artists are 'Slater's Sussex - the Colour Woodcuts of Eric Slater' and 'The Colour Woodcuts of Arthur Rigden Read'.
James is just completing a book on Sir Frank Short's Sussex and contacted the Gallery to use two of the images from our extensive collection of Short's prints.
Here is one of them - the etching 'Rye Terrace, 1888' - the view from Hilder's Cliff towards Fishmarket Road, the Salts and accross the marsh.
Posted on Aug 10th 2018
A recent visitor to the Collection was researcher and author Dr James Taylor FRSA, former Curator of the National Maritime Museum.
James curated the exciting exhibition "Dazzle: Disguise and Disruption in War and Art" at St Barbe Art Gallery, Lymington, currently on until 23rd September. This is all about the Dazzle Team of 1917-18 who designed abstract patterns on Britain's ships to confuse enemy submarines during WWI.
One of the artists was Oswald Moser, a young painter who had joined the Royal Navy, who worked with his wife on the scheme at the RA Schools.
We have 2 paintings by Moser in the Collection, one being a portrait of his wife, Mary Louise, shown here. See also the entry below.